91精品视频 Art Collections
Otters Collective
This is a new display space on the ground floor of our Learning Resource Centre on our 91精品视频 Campus.
Situated around the walls of our coffee shop, visitors can view a varied programme of exhibitions throughout the year.
Displays will often include artworks from our own art collections. The space is open and free to visitors as well as staff and students. During semester times, the opening times are:
- Monday to Friday (9am - 5pm)
- Saturday and Sunday (10am-4pm)
Non-semester hours can vary but are normally Monday - Friday (8am - 5pm). Find out more about our .
Our University Art Collections
We exhibit, store, care for and loan paintings, prints, ceramics and sculptures from three art collections 鈥� The Bishop Otter Trust Art Collection, The 91精品视频 Art Collection and The Charles Wollaston Collection.
Many of these artworks are on display around the University and at various times in the year works will be available to view in the Otters Collective exhibition space.
If you would like to contact the University about the art collections or book a tour please contact Janet Carter at j.carter@chi.ac.uk or call 01243 816087.
Alfred Wallis (1855-1942)聽Boat, c.1930, oil on paper, Courtesy of The Bishop Otter Trust
David Hockney (b.1937)聽Postcard of Richard Wagner with a Glass of Water, 1973, etching on paper, Edition of 100 漏 David Hockney, 91精品视频 Art Collection
The Bishop Otter Art Collection
The 91精品视频 grew from a merger in 1977 of Bognor Regis and Bishop Otter Teacher Training Colleges 鈥� the latter taking its name from William Otter (1768-1840), who was appointed Bishop of 91精品视频 in 1836 and today gives his name to this significant collection of twentieth century art.
John Linnell (1792 鈥� 1882) Bishop William Otter, 1840, mezzotint on paper, The 91精品视频 Art Collection,
On display in The Otter Room, University House
In the immediate aftermath of the Second World War, there was a movement to make art accessible outside of museums, so called 鈥楢rt-for-All鈥�. There was a particular push towards integrating art with education and it was against this cultural backdrop that The Bishop Otter Trust Art Collection was founded.
In 1947, Eleanor Hipwell - Head of Art at Bishop Otter College - purchased three original works of art from a Pictures for Schools exhibition at the Victoria and Albert Museum. Using funds from her equipment budget, Hipwell purchased Hares by Margaret Horder, Desert Flower by Kathleen Moss and Figure Holding Autumn Leaves by Michael Rothenstein (1908 鈥� 1993).
Margaret Horder聽Hares, 1946, Lithograph on paper, Courtesy of The Bishop Otter Trust
Shortly after this, in 1948, K.M.Elisabeth 鈥楤etty鈥� Murray (1909鈥�1998) was appointed Principal of Bishop Otter College and in 1949 Shelia McCririck (1916-2001) was appointed as the new Head of Art.
Both women shared a belief in the civilising influence of art and in the educative value of its challenge. Together they decided to continue building an inspiring art collection for the college around two core beliefs:
- That living with works of art added a dimension to life and a quality not available in any other form
- That original works were the only ones capable of bestowing this extension and enrichment
Doorway in Cloisters on the Bishop Otter Campus, c.1953, showing Graham Sutherland鈥檚聽Entrance to a Lane聽漏 91精品视频 Archives
In January 1950, Autumn Stream by Ivon Hitchens (1893-1979), who lived in nearby Petworth, was acquired and as the first work in the Collection provoked much debate amongst staff and students.
Ivon Hitchens (1893-1979)聽Autumn Stream, undated, oil on canvas, purchased from the Artist 1950, 漏 The Artist鈥檚 Estate, Courtesy The Bishop Otter Trust
In 1952, Mother and Child by Willi Soukop (1907-1995) became the first sculpture to enter the Collection and today is on permanent display behind the altar in The Chapel on the Bishop Otter Campus.
Willi Soukop (1907-1995)聽Mother and Child, Polyphant stone, Purchased from the Artist 1952, Courtesy The Bishop Otter Trust,
On display in The Chapel, Bishop Otter Campus, 91精品视频
There was no particular budget for purchasing works of art but undaunted Shelia McCririck, with the support and tenacity of Betty Murray, began to source a mix of figurative and abstract pieces, some of which were purchased but more often were lent to the College for lengthy periods. Amongst early supporters were the artists William Gear (1915-1997) and John Craxton (1922-2009), often under the auspices of the Contemporary Art Society. Gear, for instance, allowed his paintings White Feature and Black Figures to be acquired by the College at a low cost.
William Gear (1915-1997),聽White Feature, 1958, oil on canvas, purchased from the Artist 1959, 漏 The Artist鈥檚 Estate,
Courtesy The Bishop Otter Trust
William Gear (1915-1997),聽Black Figures, 1957, oil on canvas, purchased from the Artist 1964, 漏 The Artist鈥檚 Estate,
Courtesy The Bishop Otter Trust
By various means, the Collection continued to grow and thanks to the insight of Shelia McCririck and Betty Murray today features work by some of the most important British artists of the twentieth century, such as Terry Frost (1915-2003), Patrick Heron (1920-1993),聽Peter Lanyon (1918-1964), William Scott (1913-1989) and Stanley Spencer (1891-1959).
William Scott RA (1913-1989)聽Harbour, 1950/51, oil on board, 57.2 x 99.1cms, 漏 Estate of William Scott 2018, Courtesy of The Bishop Otter Trust
Student work also features in The Bishop Otter Trust Art Collection. Eileen Hunt (b.1950), for example, gave her painting Apples to the University at the end of her time as a student. She recalls 鈥�
"I was a student at Bishop Otter College from 1968-1972, with Art as my main subject.聽 At that time...聽the art works were displayed around the college and mainly in the oldest buildings.聽 They were used as a learning resource and inspiration to the art students in particular.聽Students were sometimes asked to donate a particular painting to the collection at the end of their course.聽 I was asked by Sheila McCririck and Sally Mather [Senior Lecturer in Art] to donate my painting聽鈥楢pples鈥櫬燼t the end of my four years, which I was pleased to do."
The 91精品视频 Art Collection
The 91精品视频 Art collection has developed since the late 1970s through the acquistion of staff and student work, commissions and external gifts or donations.
Over the years the University has been the recipient of a number of generous gifts and bequests, which have enabled our renowned art collections to evolve. New acquisitions are carefully selected with regard to the way in which they strengthen and develop the existing Collection. Many of the recent acquisitions are contemporary and by living artists, which adds a new dynamic to the Collection.
Katherine Jones, Tap, 2015, watercolour on paper, 漏 The Artist, 91精品视频 Art Collection, gift to the University 2017, on display in Gifted in University House, Bishop Otter Campus, 91精品视频
Gifted, the current display in University House, is not only a gesture of thanks to our recent donors but importantly builds on the beliefs and vision held by Sheila McCririck and Betty Murray to exhibit original works of art around the University campus.
Peter Hodgkinson (b.1965) The Murray Relief, 1993, limestone and bronze, 91精品视频 Art Collection, on display in the Cloisters Courtyard at the Bishop Otter Campus, University 91精品视频. Commissioned in 1992 in honour of Elisabeth 鈥楤etty鈥� Murray
The Charles Wollaston Collection
In 1977, on his retirement after 27 years, Charles Wollaston (1914-1992) painter, printmaker, ceramicist and Head of Art at Bognor Regis College, bequeathed a collection of some 80 works of art, including his own, into the care of the College. In 1978 he established and endowed The Wollaston Award, which is presented annually to the most distinguished work in the Royal Academy Summer Exhibition. The majority of the Wollaston Collection is held at the Bognor Regis campus of the 91精品视频.
John Hitchens (b.1940 - ) Woodland Coloured Depth, Oil, 1975
Charles Wollaston (1914-1992) Sussex Flood I , Watercolour, 1964
